Sunday, 27 September 2015

MRCY Fest under the warm September sun

Show: MRCY Fest – Alabama Shakes · Local Natives · July Talk · Safia Nolin
Venue: Espace Montmorency, Laval
Date: Saturday, September 26th, 2015

Will just share my favorite moments of the day. Will not mention that Misterwives were extremely overexcited of playing around noon. That Claude Bégin looked bored on stage playing with his buds from Alaclair Ensemble, that guy is weird. That I felt bad for DJ Lary Kidd filling in for Angel Haze. That there weren't enough food trucks at the event. Won't be mean.

First up. Safia Nolin. Absolutely love her. She's the opposite of over the top. Even with the melodies. Am I wrong when I say I hear half notes? Beautiful voice, beautiful lyrics, beautiful everything in its minimalism. I love that part in "Valse à l'envers"when she sings "ne me touches pas"*, the notes used fit perfectly the lyrics. You understand what she's saying, what's the meaning behind them.



I've met her a few times, she's humble. I believe her songs are a reflection of who she is. Joseph Marchand, her musical partner, accompanied her perfectly on stage. Some extra high notes added on his guitar to the sometimes low ones of Safia Nolin.

Safia Nolin & Joseph Marchand

The set ended with the crowd singing him happy birthday (the day before). Also ended with a girl among us on the floor imitating her in a mocking tone. It's all good if you don't like Safia Nolin's music. But if you are to make fun of her songs or simply her, you better be smarter than that.

Next. July Talk. I've heard them before on the radio and didn't think much of it to tell you the truth. But holly molly is it a whole other thing live. This band from Toronto uses perfectly well the duality between the two voices. One is hoarse (Peter Dreimanis) and the other one is sweet (Leah Fay). Recorded, I couldn't feel that duality. I feel it live though. They are great performers.

July Talk



A few songs were played from their upcoming album. Peter Dreimanis asked us crowd to be sincere and let them know if we didn't approve of them. Well, not being completely knowledgable of their music, relying only on this afternoon set, I much prefer the old songs. The new ones have more rock in them, less sweetness. Not that I don't like rock&roll. But in this case, I like opposing forces.

Leah Fay moved around alot.
She also spat (or drooled) on a speaker, walked away for a second then back to wipe it with her dress.
Stole hats from the crowd. Crawled on the stage. Whatnot.

There have been periods in my life when I have ceased listening to music. For reason's I will not explain here, the last years of the 2000's were non-musical years. This is why I knew only Local Natives by name. Don't even recognize the cover art of their first album (which was apparently a hit) released in 2009, Gorilla Manor. I hear them for the first time this Saturday. It's quite enjoyable to tell you the truth. They are good musicians. I kinda had an eye for the drummer Matt Frazier simply because he was drumming without really drumming. In other words, didn't look like an effort to him, he could've been cooking eggs. Also, love it that there's no lead singer. Keyboardist Kelcey Ayer has a singular voice even if pitchy at times.



Local Natives
Local Natives' Taylor Rice

They mentioned this concert being special. Playing in Montreal where they have recorded before and considering this set as being the last one before recording the next album.

I loved it. Own Gorilla Manor now.

Alabama Shakes. Last but definitely not least. Here's another band where songs are good recorded but great live. You just feel the music when Brittany Howard sings in front of you.

Brittany Howard from Alabama Shakes

The night before was at a monthly bar event called Mess Around. The best place to go dancing in Montreal (Divan Orange) in my not so humble (at times) opinion. Mess Around is Nick Osicka and Ben Shulman playing 45rpm's of early Soul/R&B. Don't know most of the songs they play but you guess where the songs lead. You can anticipate your next dance move solely around the beat. If someone asks what type of music is Alabama Shakes, you'll say some Soul some R&B right? But there's a difference. The beat changes. Am almost never aware when a song begins or ends. You have to be alert if you want to dance well.

They played "Heartbreaker", my favorite song of theirs. Thought I knew from beginning to end. Turns out I don't. Check it out.


I'd just like to add I have complete and utterly respect for the Alabama Shakes.


That was that for MRCY. Thank you for the candy in VIP lounge.
xoxo China


* don't touch me

Sunday, 13 September 2015

Timber Timbre's last night (for a while)

Show: Timber Timbre
Venue: Le National
Date: Saturday, September 13, 2015

Been thinking lately of the healing value of music. I'd even say medicinal. There are many ways to deal with problems. For me jogging is not it. Drawing, writing and music is it. Had I not had access to any of the three growing up I'd be heavily medicated. Going to concerts can be a small gamble. But it's so worth it. Sometimes you end up witnessing something magical. You leave the venue transformed. Last night at Le National, the sparks were among us.

First of all, Taylor Kirk, Simon Trottier, Mathieu Charbonneau, Bucky Wheaton and the saxophonist (if someone knows his name please let me know) are extremely talented. They transformed songs engraved in our memories. Had any other musicians done that it could have been a let down. This time we welcomed with open arms the change. (Except maybe for the tempo on "Magic Arrow")

Second of all, no photographs allowed. Was with friend V who thought that request was completely nonsense. She took a few pics until a fan reminded her of of the no pictures policy. Surprisingly enough, V listened. She ceased taking photographs. We left the venue afterwards thankful of that. We miss the surrounding beauty when glued to our phones.

Third, the lights. The first time I saw Timber Timbre perform, the stage was pitch black. Didn't understand why. This time the stage had some lighting but not enough for us to see clearly the musicians. We felt the music, we weren't watching the musicians play.

And of course, let's not forget that Taylor Kirk has no pitch problems.

Anything else is unexplainable. We left the venue in awe and a bit healed.*



Write to you soon.
xx China


* It was almost perfect. I say almost 'cause my mood was disturbed by what I overheard as we were leaving. Behind me were members of a Montreal band I like (and reviewed before on this blog). They mentioned having sold to a fan their last vinyl three or four times its price. And then they laughed. I didn't really think it was funny. Unless I'm writing for rreverb, I pay to attend concerts. Maybe it will change in the future but now that is how things are. I tell you, will no longer pay to attend one of their performances.

Friday, 11 September 2015

Psych Fest. Ponctuation | Milk Lines | Crosss | Birds of Paradise

Show: Psych Fest. Ponctuation + Milk Lines + Crosss + Birds of Paradise
Venue: Divan Orange
Date: Thursday, September 10th, 2015

My niece Sandrine joined me that evening. Brought her camera, took a few pictures. I love her and am so happy she'll be joining me once in a while with camera. A little hiccup yesterday though. Her fully charged battery ran out after the first set. It happens.

Birds of Paradise. photo Sandrine Cadieux
Birds of Paradise. photo Sandrine Cadieux
Birds of Paradise. photo Sandrine Cadieux

Birds of Paradise. Took a look at a clip of theirs beforehand ("Ghost of a Lover"). Not my type of music, didn't expect to enjoy the performance. Turns out it's the first time I really listen to Roy Vucino's voice that evening. Quite beautiful. A lot of character.



Crosss

Second set, Crosss. They're good but I've said this before, the music is odd. I like it a little bit more every time I see them. Still, it's going to take a while.



Milk Lines

Third set, Milk Lines. Love them. King Khan & BBQ Show posted their music on Facebook, been a fan ever since. Emily Clarke, who's voice is perfect for that sound, was not as pitchy as she can be sometimes. And I believe Jeff Clark sang on a few more songs than he usually does. Good!
They're releasing an album soon. Y était temps.




Last up, Ponctuation. First heard of them in an AV Club article. They were playing M pour Montréal. They are good performers. Only, last night the crowd wasn't doing much. Just listening. I kinda got bored. Drank my last beer at the bar. Sorry guys.



Ponctuation

As I was heading home on Rachel street, ran into a very drunk girl trying to walk on the sidewalk. She was barefoot, holding the shoes by the laces. Kept dropping them also. I figured she needed someone to walk with. A tourist from Sweden, her Airbnb wasn't too far. The ten block conversation was on how awful men were. The day before, a guy approached her and told her something despicable. It got to her, enraged her. She wouldn't tell me what it was. Mysteries.

Sometimes I hate men. But really, I love them. Sometimes I write nonsense. Don't go taking me seriously. All of you are much better musicians than I ever will be.

Just saying.

xx China

Sunday, 30 August 2015

Kroy | Bloodshot Bill & The Hick-Ups

Show: Kroy + Bloodshot Bill & The Hick-Ups
Venue: Casa del Popolo + Divan Orange
Date: Saturday, August 29th, 2015

Didn't expect to enjoy Kroy that much. Was simply amazed with her voice.

Kroy (Camille Poliquin). Also in the band Milk & Bone.

Heard Camille Poliquin in an interview (and this is really a dumb observation) but her high pitch voice dissuaded me in thinking I would enjoy her music. Boy was I wrong.


After her prestation at the Casa del Popolo, left the Passovah Fest for the Divan Orange where Bloodshot Bill & The Hick-Ups were scheduled to play.

Arrived, ordered a beer by the bar and as soon as he stepped on stage, left the bar for the floor by the stage. It's the kind of event where you want to be near the music. Even if you end up dancing next to someone who has drank a itsy tiny bit too much.

I danced throughout the whole performance.

Bloodshot Bill & The Hick-Ups

The evening ends, he leaves the stage for a table and starts licking the back of his guitar while the Hick-Ups keep on playing. Am right there in front and I go along. Am having a blast.




Should've bought his vinyl. Next time. We're lucky, us Montrealers, to have him living here. Just sayin'.


Saturday, 29 August 2015

Joe Grass | Black le Gary | Caro Diaro | Moss Lime

Show: Passovah Festival. Joe Grass + Black le Gary + Caro Diaro + Moss Lime.
Venue: Casa del Popolo + Bar le Ritz PDB
Date: Friday, August 28th, 2015

Arrived at the Ritz and Moss Lime was playing its last two songs. Damn it. Am late for once and missing something good. I love Moss Lime. Got to know them through Tinder. A guy I met introduced me to the band and another one of Helene's (lead singer) band, Phern. Take a listen. Please.




Moss Lime at the Ritz. The place wasn't packed yet.

Spoke to Helene after the show. Wanted to buy the tape. We spoke in English for the first few minutes before realizing we were both francophones. It happens you know. First I thought she was Scottish, then maybe German. She had a strong accent. Anyways, she didn't have any tapes with her. Asked her if she was planning on doing another show soon. Negative. Not for a long time. Learned today that she's a French citizen unable to stay in Montreal due to visa problems. She's leaving today. Sad.

Next was Caro Diaro. A loner on stage with a lot of presence.

Caro Diaro

Much of the crowd was quiet. Her music reminds me that of Cat Power's. Only she's a little bit less shy on stage. Quite beautiful. My only comment, more change in rythme from one song to the other could be good. 




Left the Ritz afterwards to join friend V at the Casa del Popolo. Arrived and Black le Gary was setting up its gear. Of course it's another one of those bands who starts with a weird song just to make us wonder if we really do like them. Only, this time, all their songs turned out weird. Sometimes chanting in Polish with recorded laughs in the background. Other times odd instrumentals. None of their songs really were the same. To that, I believe it was the (excellent) drummer who asked us to inform them which song we preferred so they'd know "which style to stick to". It's their second gig in four years he adds. The crowd starts laughing to that, we don't know though if it's actually funny (until he tells us it's not). There's a kind of weird vibe in the venue. But it's a great vibe. Loved every second of it.

Black le Gary

The set ends with Lisa Moore from Blood and Glass stepping on stage. She's perfect for them. The last song is a recipe for an alcoholic drink*. Brilliant.

Been looking everywhere on the net for clips. Couldn't find. You'll just have to take my word when I tell you they're odd.

Last set. Joe Grass. It's good. The guy next to me was really enjoying it. His limbs danced in every direction.

Guy dancing with his limbs

Among Joe Grass on stage was keyboardist Frank Lafontaine. I recall watching him play for Blood and Glass in a loft. Was in awe. Amazing solos. 


Joe Grass

I like Joe Grass. Decided not to take any notes on my iphone and just enjoy. Here's a soothing rendition of the Beach Boys' "God Only Knows":




Have a good day.
xx China


* Other than being the lead singer in a band, Lisa Moore also works as a bartender in a great Montreal bar. The last song fits perfectly.

Thursday, 27 August 2015

Miracle Fortress | Moonface | Théâtre Fairmount

Show: Miracle Fortress + Moonface
Venue: Théâtre Fairmount, Montreal
Date: Wednesday, August 26th, 2015

Showed up for Moonface (love his music). Am only somewhat aware of Miracle Fortress. Arrive around 9pm. Had time to inspect my surroundings. The place was very bright. Dance music was playing, or is it House? Am not an expert. A cotton candy stand somewhere. A floral wreath stand by the stage. Video games. Everybody seemed happy but will they stay happy when Spencer Krug (Moonface) steps on stage? Don't think they know what's waiting for them. And assuredly, all along the performance the majority were conversing. V tells me they shouldn't have booked Moonface for this event. I say they shouldn't have organized a party for a Moonface event.


Moonface
 
The first song is long, barely any lyrics, mostly piano. Am wondering, is this to test the sound that he has chosen this piece as its first? The sound guy, we have later realized, uses an Ipad. It's brilliant. Now moving all over the venue for adjustments. 

Throughout the set am unfortunately facing his back. Then again, maybe it's a good thing. Concentrated on the music rather than on his face. And anyhow, his body is expressive, you don't need much more.


Moonface

For people who might not know who Moonface is. It's one guy with a voice and a piano. Lyrics are very important. Most of the time it works. Sometimes it doesn't. As with the last song played that evening. A "new song about dreaming", he tells us, "which we will probably not enjoy". He was right. The lyrics were repetitive. Not my type of thing.

My favorite song of the evening is of course the one played from the album Julia With Blue Jeans On, "Love The House You're In". He had no intentions to play a song from that album and in fact he seemed hesitant before playing. I would've screamed "the crazy song!" during that moment of silence but decided to be respectful as was the crowd up front. We waited patiently.



Next up was Miracle Fortress. Didn't know much about Graham Van Pelt so decided to do a bit of research beforehand. Listened to both LP's. I've got to tell you, I much prefer the first album Five Roses to the latest Was I The Wave?. I find there's too much emphasis on the beats, also somewhat repetitive, than on anything else. Five Roses is beautiful though, will gladly add the album to my collection.




Excluding the pitch problems, it was quite enjoyable. I tell you, being bothered by pitch issues sucks. Have you ever heard me sing karaoke? Am terrible. Don't understand why I'd be bothered by it. Just sayin'.

Miracle Fortress

That's about it.
xx China

Friday, 21 August 2015

Beach House | Romantic States

Show: Beach House + Romantic States
Venue: Higher Ground Ballroom, South Burlington (Vermont)
Date: Thursday, August 20th, 2015

Sometimes social media is useful. Met a stranger through Facebook looking for someone to go see Beach House with in Burlington. Haven't done anything crazy in at least a month. Thought it was about time.

This isn't my first Beach House experience. They were in Montreal last fall. One of my first blog post was written about them. Deleted it a few weeks later. Too personal at the time.

I was introduced to Beach House as my ex was breaking up with me. "Zebra" had started playing in S's bedroom. Although it had been a painful listen the following months. I didn't quit on it. "Zebra" is just too beautiful.

We dated only one month more than a year ago and I still have a hard time getting over him. Last time we spoke he wanted to understand why that was. What made him so special. "I don't know" I told him. Thinking of it now, I guess he pretty much changed my life. I used to barely go out, spent my time reading and watching TV. Didn't enjoy talking to strangers. He shook me. He woke me. He showed me how exciting life can be. I never watch TV now.

The first band to play is Romantic States. A duo (Jim Triplett and Ilenia Madelaire) from Baltimore. At first am wary. The tempo is slow, the lyrics are sparse. Don't know if they're talented musician trying to do something different or if they are handicapped in some way. After a few songs, the tempo changes and I realize they are talented.



Love it when Ilenia Madelaire sings. She also reminds me of Meg White on drums. Only better.

Romantic States

As soon as Beach House starts, am in a daze. I close my eyes and let myself rock back and forth to the music. Can't tell you if it was one of their best shows. Just took it all in (and forgot to take the usual notes).

Playing "Wherever You Go"

"You guys are very good... and bad. But you're mostly good and bad" Victoria Legrand tells us.
Only a few strange words in between songs. Adding to her oddness.

By the end of the show Alex Scally takes a corner of the stage.
All the attention on Miss Legrand.

The show ends with "10 Mile Stereo" and all I hear is "It took so long". These four words are engraved in my head now.

The song I was most disappointed with was "Zebra" but it's all good. I need change.

Left the venue feeling good. And sleepy. Slept throughout the whole ride back to Montreal actually.

 xx China

p.s. A big thanks to G, the stranger from Facebook. I was taking a risk leaving Canada with someone I had never met. It was worth it.